Kaiju is an artifact designed for space travel.
Godzilla vs. SpaceGodzilla is directed by Kensho Yamashita and stars Megumi Odaka, Jun Hashizume, Zenkichi Yoneyama, Akira Emoto, and Towako Yoshikawa.
Upon re-watching Godzilla vs. Biollante some months back, I was at least somewhat convinced that that film was the worst the Heisei Godzilla series had to offer. I have come to rescind that statement, because, oh boy: if Godzilla vs. Biollante was a chore to watch, then Godzilla vs. SpaceGodzilla is a chore and then some to sit through. I suppose the one thing Godzilla vs. SpaceGodzilla has over Godzilla vs. Biollante is that the former is never straight-up boring, but when speaking in terms of pure technical prowess, Godzilla vs. Biollante takes the cake. After bringing many of the classic Showa series kaiju up to speed, the Heisei series would ride off into the sunset with two films, each featuring a new monster for Godzilla to take on. The first of these monsters is an outer space version of Godzilla with the impressively un-creative name of SpaceGodzilla, and if you were thinking that Godzilla gets to travel to outer space to go toe-to-toe with this new monster, I'm sorry to say that Godzilla vs. SpaceGodzilla is unwilling to give us such a luxury, despite the fact that Godzilla has already fought in space before. It's also worth noting that Godzilla vs. SpaceGodzilla continues the process of having the demise of one monster plant the seeds for the birth of a new monster. The end of Mecha-King Ghidorah brought about the rise of the new MechaGodzilla, and the end of MechaGodzilla gave way to the new giant mecha, M.O.G.U.E.R.A. So how did SpaceGodzilla come into existence, you ask? Well, it turns out that Godzilla cells from Biollante and Mothra somehow made their way to a black hole and were exposed to radiation, thus generating a space monster that is practically identical to Godzilla.
That's just scratching the surface of how bizarre and crowded the plot is for Godzilla vs. SpaceGodzilla. The human side of the story concerns three members of the United Nations G-Force: Koji Shinjo (Hashizume), Kiyoshi Sato (Yoneyama), and Akira Yuki (Emoto). The three travel to Birth Island to execute Project T: a plan to stop Godzilla from attacking cities by controlling his mind with telepathic powers. The plan goes awry when SpaceGodzilla arrives on the island, attacking Godzilla and imprisoning Godzilla's offspring: Little Godzilla (again, impressively un-creative). SpaceGodzilla then departs to go and lay waste to Japan, with Godzilla in hot pursuit. Godzilla isn't alone in his fight, however: the Japan Self-Defense Forces send their new mecha M.O.G.U.E.R.A. to assist.
So you've got a couple human characters and a handful of monsters. Sounds like a typical day at the office for Toho, except that the film flies by at an almost breakneck pace, and the script by writer Hiroshi Kashiwabara crams in so much extra material that it's next to near impossible for any of the film's story-lines to breathe. The whole Project T bit eventually morphs into an in-your-face message about how, "all living creatures have feelings", which serves as a continuation of the environmental messaging from 1992's Godzilla vs. Mothra. Speaking of Mothra, the twin faires (aka The Cosmos) like to show up every now and then to provide encouragement for our recurring psychic character Miki Saegusa (Odaka), and it's about as pointless as poor Little Godzilla, who does nothing but walk around and look cute until SpaceGodzilla shows up and takes him out of the movie entirely. I truly don't know the reasoning behind why all these later Heisei Godzilla series insist on having a baby Godzilla be present. At least Godzilla vs. Mechagodzilla II made the baby Godzilla feel somewhat integral to the plot, while Godzilla vs. SpaceGodzilla simply uses a baby Godzilla as a means to put another monster into the movie, no matter how useless said monster is. But anyway, we've got Godzilla vs. SpaceGodzilla, a baby Godzilla, telepathic powers, and a pro-animal, pro-environment message all to worry about, and it all adds up to one cluttered monster movie.
- The good news about Godzilla vs. SpaceGodzilla is that, once SpaceGodzilla shows up on Earth, the monsters pretty much take over the movie, which isn't too long of a wait. The monster fights and special effects though are all over the place: shots of Godzilla using his atomic breath or SpaceGodzilla using his lightning(?) blasts make for some fairly entertaining monster action. Unfortunately, there's next to nothing in the ways of choreography: Godzilla and SpaceGodzilla just stand still and keep blasting each other, while M.O.G.U.E.R.A flies around and launches a few attacks every now and then. The only part of the monster fights with some sense of choreography is when M.O.G.U.E.R.A runs towards SpaceGodzilla and uses a drill attack, and then back off once SpaceGodzilla retaliates. By the way, the M.O.G.U.E.R.A mecha in the film is an updated version of the same robot character that first appeared in the 1957 film The Mysterians. Anyway, the special effects during the monster fights are standard fare for a 1990's Godzilla film, but there's also the occasional ugly green screen shot, particularly during some scenes of Little Godzilla walking around and the Cosmos coming down to speak with Miki in the form of a tiny Mothra. Some shots of the giant SpaceGodzilla crystal flying through space are a bit of an eyesore as well. With the monsters taking over the movie at a relatively early point though, it means that there is plenty of building smashing, colorful lights, and kabooms to satisfy. I wouldn't go as far as to call the monster action enthralling, but it's what you came for, and it's what the movie gives you plenty of.
- Much like the English dubbing, the screenplay for a Godzilla film almost always leaves a few holes to address (although the dubbing is more like a gigantic sinkhole). What hurts this Godzilla movie most of all however is its pacing, in which the absolute bare minimum is done in order to get from Important Plot Point A to Important Plot Point B. No better example than this: there's a scene where Miki is kidnapped by the Yakuza and literally a few minutes later, Shinjo, Sato, and Yuki are attempting to rescue her. Travel time and distance are complete non-factors here: SpaceGodzilla is probably the galaxy's fastest space traveler, and M.O.G.U.E.R.A proves to be quite the space traveler himself, since he can fly out to space, intercept SpaceGodzilla, have a fight, get badly injured, and then return back to Earth all in one perfect run. I know I'm digging too deep into something that doesn't deserve to be nitpicked, but the movie is trying to do so much in so little time, there isn't anything to latch on to and absorb, and thus, the pacing feels wildly off. Kensho Yamashita and Hiroshi Kashiwabara stated they wanted to make the film more lighthearted and to put more emphasis on character development. That sounds nice and all, except that the movie seems to be doing anything and everything to try and get to the monster action, so the whole character development part kind of fizzles out. There's also not much room in the ways of humor, so I am unsure exactly as to where Yamashita and Kashiwabara thought the film was more lighthearted. The movie falls way short of its most ambitious goals, which is a disappointment, because this maybe could have been one of the best Godzilla films ever if Yamashita and Kashiwabara had achieved what they set out to do.
It's a bit much to call Godzilla vs. SpaceGodzilla a disaster; the movie succeeds at being entertaining from first frame to last frame, with plenty of kaiju action that no Godzilla fan in his or her right mind can complain. Everything else though? Not so great: The special effects are a mixed bag, the story is bloated by Godzilla movie standards, and the pacing is incredibly off. It isn't anywhere near as bad as the likes of Godzilla vs. Megalon and Godzilla's Revenge, but Godzilla vs. SpaceGodzilla unfortunately takes the crown for worst Godzilla film of the Heisei series. SpaceGodzilla is an okay monster; I like the look of the giant crystals on its shoulders and the alligator-like face that gives him enough distinction from Godzilla. Under the right circumstances, I think this is a monster that Toho could sell. The story we have here from Yamashita and Kashiwabara however, isn't the one to make SpaceGodzilla work. It tries to be a story about telepathy, about how animals have souls, and about Godzilla facing off against an extraterrestrial version of himself. It's never straight-up boring, but watching Godzilla vs. SpaceGodzilla tends to be a bit of an arduous chore, kind of like a long flight through outer space. If only NASA had SpaceGodzilla's speed.
Recommend? No, but the movie can make for some entertaining monster action.
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