Some monsters just want to watch the world burn
Godzilla vs. Destoroyah is directed by Takao Okawara, written by Kazuki Omori, and stars Takuro Tatsumi, Yoko Ishino, Yasufumi Hayashi, Sayaka Osawa, Megumi Odaka, Masahiro Takashima, Momoko Kichi, and Akira Nakao.
Godzilla vs. Destoroyah marks the end of the Heisei Godzilla series, and that's exactly how the movie is presented: like an ending. Marketed as the movie in which Godzilla dies (even though Godzilla died once before in the original 1954 Godzilla), Godzilla vs. Destoroyah was meant to be the final Godzilla film produced by Toho until the character's 50th anniversary in 2004. In the meantime, a trilogy of American Godzilla films starring Matthew Broderick was to be made, but this plan backfired so hard that it convinced Toho to bring Godzilla back much sooner than they had originally anticipated. So in hindsight, Godzilla vs. Destoroyah's sense of finality isn't as strong as it planned to be, but that doesn't stop the film from being one of the best of the entire Godzilla library.
In the summer of 1995, producer Shogo Tomiyama announced that the next Godzilla film would be the final installment of the series. Godzilla vs. Mechagodzilla II and Godzilla vs. SpaceGodzilla were unable to generate the sizable audience turnout that Godzilla vs. Mothra succeeded in generating, so it made sense for Toho to send Godzilla on another hiatus, not wanting to further diminish the character's popularity and drive him into the ground again like they did at the tail end of the Showa series. The original plan was to have the Heisei Godzilla face off against a ghost version of the original 1954 Godzilla, but the idea was scrapped because the producers didn't want to have three straight films in which Godzilla faces off against some alternative version of himself (robot Godzilla, space Godzilla, and then ghost Godzilla). However, the idea to callback to the original 1954 film was kept in place, and believe me: the original 1954 film will get brought up A LOT when discussing all the modern-day Godzilla films. The callback to the 1954 film primarily deals with the Oxygen Destroyer, the weapon that killed the original Godzilla and, as we quickly learn, gives birth to Destoroyah.
The movie opens with Godzilla going on a rampage through Hong Kong, but there's something wrong: Godzilla is covered with bright, fiery spots, and his atomic breath has now turned a red-orange color. It turns out that Godzilla is undergoing a nuclear meltdown: his heart acts a nuclear reactor, and when his temperature reaches 1,200 degree C, he will unleash a nuclear power capable of setting Earth's atmosphere ablaze and burning the entire planet's surface to the ground. The JSDF scrambles to find a way to prevent this nuclear meltdown, but Godzilla's meltdown isn't the only problem. Scientists discover that the Oxygen Destroyer has mutated organisms living in Tokyo Bay, and these organisms quickly evolve into giant creatures that start to wreak havoc. The creatures eventually merge together to form one mega monster the JSDF dubs "Destroyer", which soon comes into contact with Godzilla. I should also mention that Godzilla Junior is present, which should be totally expected, given that these late Heisei Godzilla series all seem to love having a baby Godzilla involved.
- Godzilla vs. Destoroyah wants to be as grandiose and hard-hitting as possible given the stakes involved in the plot, and it hits the nail right on the head with its action and special effects. While there may not be much in the way of monster choreography, the monsters exchange massive blow after massive blow, and there's no shortage of blood and graphic monster violence. The addition of steam and glowing orange spots are nice touches that properly evoke the idea that Godzilla is melting down. The Godzilla suit is also one of the best ones of the Heisei series: a firm, well-rounded head and dorsal fins that maintain their standard shape, but also look like they're about to melt off at any moment (as they should). The best feature is Godzilla's eyes: a bright orange color to match his atomic breath, as well as make Godzilla look like a fearsome hellspawn. One of the most impressive effects is a transition effect that occurs when the JSDF temporarily freezes Godzilla using their advanced Super-X III fighter jet. For 1995, it's an effect that still holds up extremely well showing a face going from unfrozen to frozen. Obvious green screen is basically nowhere to be found in the film, and the use of enough low camera angles and framing techniques do a nice job of giving the necessary impression of the monsters' size. If this movie was being graded on special effects alone, it would get an A+ without question.
- I do hope that Toho can bring Destoroyah back at least once or twice in future kaiju films, because this is one of the coolest monsters that they've pitted Godzilla against. Starting off as a microscopic trilobite creature, Destoroyah first evolves into several large crab-like creatures, then into a flying super crab, and finally, a massive bat-creature that looks like it could be mistaken for the devil. It's no coincidence that both Godzilla and Destoroyah look like they've been pulled out of hell; they're about to burn all of planet Earth to the ground. Destoroyah has a neat line-up of powers: he has a pinkish breath that, I assume, sucks the oxygen out of anything it touches. He also can use his horn as a glowing katana blade (he only uses it once or twice though). Destoroyah can also devolve back into the crab-like creatures he was previously, and he also uses his long tail to drag Godzilla around and choke him. This is truly one of the most evil, merciless monsters that Toho has created, and there are various moments where he overwhelms Godzilla, even when it seems like Godzilla is gonna blow any second. Everything about Destoroyah backs up his ridiculously awesome name, which is why it's a huge bummer that the English subtitles and dubbing continue their notorious tradition of butchering various kaiju names, referring to Destoroyah as just Destroyer. Just doesn't have the same kick to it.
- If I would say that there is anything noticeably wrong with Godzilla vs. Destoroyah, it would be that the movie has a series of bizarre moments that beg an explanation. The scene of the JSDF facing off against the Destoroyah crabs is an action scene straight out of Aliens, and there's a true head-scratcher when one of the crabs tries to kill one of the characters that gets trapped inside a car. The crab tears the car apart and has a clear opening to make the kill, but it doesn't follow through. There's also a goof that kind of ruins a moment when Destoroyah bites a big hole in Baby Godzilla's chest: the chest wound is just magically gone a few minutes later. The climax of the film also transitions from day to night rather abruptly, but given the film's plot and tone, it's perfectly understandable why most of it takes place at night. In summary, there are a series of little moments here and there that don't really make a lot of sense, but these moments are small potatoes in the grand scheme of things, so it's not worth harping on them too much.
Being advertised as the film in which Godzilla dies, Toho ended the Heisei Godzilla series on an absolute high, delivering one of the best films of the entire Godzilla series, maybe even the best since the original 1954 film. Godzilla vs. Destoroyah offers just about everything we could ask for: terrific special effects, a plot with perfectly fleshed-out, and a new monster in the malevolent Destoroyah that Toho should seriously consider bringing back in future Godzilla and/or other kaiju-based films. There are some weird moments during the film that don't make a whole lot of sense, but when you've got the kind of explosive action this film offers and not have to worry too much about characters and story, it's easy to just sweep those confusing little moments under the rug and fully enjoy the film for what it gives you. Toho went all out with Godzilla vs. Destoroyah, and while this "ending" for Godzilla didn't quite work out the way Toho had hoped in regards to when they hoped to bring the character back, it doesn't diminish the film's emotional weight, its ambition, nor any of its achievements.
Recommend? Yes. This is a must-see for all Godzilla fans.
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